Wednesday, November 18, 2009
Monday, November 9, 2009
- wearable Stefan Skyneedle suit
- I Love What I Hate show with Kt Spit
- Harness making workshops umm, February?
- Participation Strategy research!
- Hot dog lap dance service
- My Own Private Idaho dreamscape recreation
- There's a stocking lensed film clip star in every Sporties regular
Sunday, November 8, 2009
Saturday, November 7, 2009
Collage and acrylic paint. 2.2 x 3m. Commissioned by Brisbane Festival forDrawn Togetherexhibition at West End Live
I was approached by Brisbane Festival to create Changing Landscapes for their Drawn Together project to be exhibited at West End… LIVE. In this project, 4 artists were given a digital story of a long term West End resident to respond to. In these interviews, the residents shared anecdotal stories of the changing cultural, economic and physical landscape of West End and the impact this had on their lives.
The project aimed to demonstrate that like physical elements such as architecture and geology, stories and culture inform a sense of place. The project aimed to highlight that West End’s cultural landscape is undergoing radical changes as a result of physical redevelopment. The stories of indigenous elder Aunty Mulinjarli, queer cultural instigator Shane Garvey and redevelopment resister Janet Richards were included.
The artists were given one hour to work with a 2.2m x 3m canvas in public view during the festival, during which the public were given access to headphones so they could listen to the digital story while watching the artist’s response unfold.
I was briefed on the story of Janet Richards to respond to, who is most well known for resisting the acquisition of her family home for the redevelopment of the West End Coles complex and neighbouring apartment block. Originally I wanted to explore the role that local and state government cultural renewal initiatives play in suburban gentrification, such as the redevelopment of the Cultural Centre and Brisbane City Council’s current funding programs for ‘happenings’.
I researched artist responses to arts gentrification, such as There Goes The Neighbourhood and The London Particular. I started planning a visual case study of international examples of cultural renewal initiatives that had neglected issues of social exclusion and the responses of local artists in addressing these problems.
However when I received the digital story, Janet Richards talked very little about her legal battle with the development company over acquiring her home. Instead, she talked about changes in the architectural landscape from the mid 1800s until now over the stretch of land between West End’s Absoe building and King George Square.
I discarded this preparation and switched to collage plans of a camp take on the recent refurbishment of the Stefan Skyneedle, kitsch Tourism Queensland imagery, while using an image of Sophie Lee’s character, Tracy, from The Castle to reference Janet Richard’s legal battle.
Friday, October 16, 2009
SEEKING EXPRESSIONS OF INTEREST
Wednesday, July 1, 2009
Thursday, June 25, 2009
Monday, June 22, 2009
Sunday, June 21, 2009
Saturday, June 13, 2009
Thursday, June 11, 2009
Tuesday, June 9, 2009
Friday, June 5, 2009
Thursday, June 4, 2009
Wednesday, June 3, 2009
56. Camp taste is a kind of love, love for human nature. It relishes, rather than judges, the little triumphs and awkward intensities of "character."
Sunday, May 31, 2009
Thursday, May 28, 2009
Text from 'Blood and Guts in High School' by Kathy Acker.
I originally planned to use this text for a nerd babe performance installation collaboration with Okapi of a dusty library backroom, called The Restricted Section for the Little Fish 'Unleash the Beast' show. Hopefully one day it will still happen!
Thursday, May 21, 2009
Monday, May 18, 2009
Tuesday, May 12, 2009
Monday, May 11, 2009
Friday, May 8, 2009
Monday, May 4, 2009
CALL OUT FOR SUBMISSIONS
This photographic project will document transgender sexworkers who work presenting as the gender they were assigned at birth and no longer identify as. I will be applying to exhibit the series at different events in Australia, mostly at queer and sexworker arts events and also online.
Since the photos will be released publicly, contributors will have to be comfortable with disclosure to some extent. However, I will not use your legal name and I’m open to negotiating measures to protect your identity if you would like to contribute but have privacy concerns.
To participate, you will have to consider the implications of the associations of your image and the content.
I am a transgender hustler who works as a lady babe. Primarily, this pays the bills. It also has been both affirming and dysphoria exacerbating, a result of limited financially viable representation options, the safest option, performative and an opportunity to max out lessons in the behavioral codes of feminine wiles. It’s creating a stronger affiliation with femmes and my class background. I feel moments of concern for my safety if a client recognises my face on the street and feels betrayed, and moments of satisfying queer subversion when being told, “You’re the hottest chick I’ve ever seen”, accompanied with a wad of cash.
I’m interested in documenting the process of embodying the rentboy/stripper minx/mistress/etc within, the transformation, the relationship that incurs with our bodies, the culture of trans people sexworking to pay for their medical transition, the connections between transgender identity and class, sexwork and class. I am really happy to have any discussions about representation.
- Email self portrait photographs (taken by you, either by holding the camera or with a self timer) taken while you’re in your ho persona, preferably at work but about to head to work is fine too. Around 5 photos would be great. Send to email@example.com
- Do not change the resolution settings on the photos
- Working photographs taken in the past are fine if you are not currently working
- Give me the following info in the body of the email:
your working name (this can be the one you use or one made up for the project)
your contact info
the text “I consent to the use and publication by Warren Gracie of the attached photographs of me”. Include any conditions you have (eg. No online publishing)
A short blurb on who you are/your experiences or thoughts on working as the gender you were assigned at birth/why you wanted to participate (this part is optional)
The deadline is May 30 2009.
This project is inclusive of pre, post and non medical transition transgender people, including but not limited to female-to-male, male-to-female and genderqueer transgender people. If you identify as trans, you are welcome to participate.
The term ‘sex-worker’ is an umbrella term, including but not limited to dance, full-service, porn, domination, submission, fetish, gf/bf experience and peepshow workers.
Feel free to contact me with any questions.